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    Hearing Amazônia: MIT musicians in Manaus, Brazil

    On Dec. 13, the MIT community came together for the premiere of “We Are The Forest,” a documentary by MIT Video Productions that tells the story of the MIT musicians who traveled to the Brazilian Amazon seeking culture and scientific exchange.

    The film features performances by Djuena Tikuna, Luciana Souza, Anat Cohen, and Evan Ziporyn, with music by Antônio Carlos Jobim. Fred Harris conducts the MIT Festival Jazz Ensemble and MIT Wind Ensemble and Laura Grill Jaye conducts the MIT Vocal Jazz Ensemble.

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    “We Are The Forest”Video: MIT Video Productions

    The impact of ecological devastation in the Amazon reflects the climate crisis worldwide. During the Institute’s spring break in March 2023, nearly 80 student musicians became only the second student group from MIT to travel to the Brazilian Amazon. Inspired by the research and activism of Talia Khan ’20, who is currently a PhD candidate in MIT’s Department of Mechanical Engineering, the trip built upon experiences of the 2020-21 academic year when virtual visiting artists Luciana Souza and Anat Cohen lectured on Brazilian music and culture before joining the November 2021 launch of Hearing Amazônia — The Responsibility of Existence.

    This consciousness-raising project at MIT, sponsored by the Center for Art, Science and Technology (CAST), began with a concert featuring Brazilian and Amazonian music influenced by the natural world. The project was created and led by MIT director of wind and jazz ensembles and senior lecturer in music Frederick Harris Jr.

    The performance was part eulogy and part praise song: a way of bearing witness to loss, while celebrating the living and evolving cultural heritage of Amazonia. The event included short talks, one of which was by Khan. As the first MIT student to study in the Brazilian Amazonia (via MISTI-Brazil), she spoke of her research on natural botanical resins and traditional carimbó music in Santarém, Pará, Brazil. Soon after, as a Fulbright Scholar, Khan continued her research in Manaus, setting the stage for the most complex trip in the history of MIT Music and Theater Arts.“My experiences in the Brazilian Amazon changed my life,” enthuses Khan. “Getting to know Indigenous musicians and immersing myself in the culture of this part of the world helped me realize how we are all so connected.”

    “Talia’s experiences in Brazil convinced me that the Hearing Amazônia project needed to take a next essential step,” explains Harris. “I wanted to provide as many students as possible with a similar opportunity to bring their musical and scientific talents together in a deep and spiritual manner. She provided a blueprint for our trip to Manaus.”

    An experience of a lifetime

    A multitude of musicians from three MTA ensembles traveled to Manaus, located in the middle of the world’s largest rainforest and home to the National Institute of Amazonian Research (Instituto Nacional de Pesquisas da Amazônia, or INPA), the most important center for scientific studies in the Amazon region for international sustainability issues.

    Tour experiences included cultural/scientific exchanges with Indigenous Amazonians through Nobre Academia de Robótica and the São Sebastião community on the Tarumã Açu River, INPA, the Cultural Center of the Peoples of the Amazon, and the Museu da Amazônia. Musically, students connected with local Indigenous instrument builders and performed with the Amazonas State Jazz Orchestra and renowned vocalist and Indigenous activist Djuena Tikuna.

    “Hearing Amazônia: Arte ê Resistência,” a major concert in the famed 19th century opera house Teatro Amazonas, concluded the trip on March 31. The packed event featured the MIT Wind Ensemble, MIT Festival Jazz Ensemble, MIT Vocal Jazz Ensemble, vocalist Luciana Souza, clarinetist Anat Cohen, MIT professor and composer-clarinetist Evan Ziporyn, and local musicians from Manaus. The program ended with “Nós Somos A Floresta (We Are The Forest) — Eware (Sacred Land) — Reflections on Amazonia,” a large-scale collaborative performance with Djuena Tikuna. The two songs were composed by Tikuna, with Eware newly arranged by Israeli composer-bassist Nadav Erlich for the occasion. It concluded with all musicians and audience members coming together in song: a moving and beautiful moment of mediation on the sacredness of the earth.

    “It was humbling to see the grand display of beauty and diversity that nature developed in the Amazon rainforest,” reflects bass clarinetist and MIT sophomore Richard Chen. “By seeing the bird life, sloths, and other species and the flora, and eating the fruits of the region, I received lessons on my harmony and connection to the natural world around us. I developed a deeper awareness of the urgency of resolving conflicts and stopping the destruction of the Amazon rainforest, and to listening to and celebrating the stories and experiences of those around me.”

    Indigenous musicians embodying the natural world

    “The trip expanded the scope of what music means,” MIT Vocal Jazz Ensemble member and biomedical researcher Autumn Geil explains. “It’s living the music, and you can’t feel that unless you put yourself in new experiences and get yourself out of your comfort zone.”

    Over two Indigenous music immersion days, students spent time listening to, and playing and singing with, musicians who broadened their scope of music’s relationship to nature and cultural sustainability. Indigenous percussionist and instrument builder Eliberto Barroncas and music producer-arranger César Lima presented contrasting approaches with a shared objective — connecting people to the natural world through Indigenous instruments.

    Barroncas played instruments built from materials from the rainforest and from found objects in Manaus that others might consider trash, creating ethereal tones bespeaking his life as one with nature. Students had the opportunity to play his instruments and create a spontaneous composition playing their own instruments and singing with him in a kind of “Amazonia jam session.”

    “Eliberto expressed that making music is visceral; it’s best when it comes from the gut and is tangible and coming from one’s natural environment. When we cannot understand each other using language, using words, logic and thinking, we go back to the body,” notes oboist and ocean engineer Michelle Kornberg ’20. “There’s a difference between teaching music as a skill you learn and teaching music as something you feel, that you experience and give — as a gift.”

    Over the pandemic, César Lima developed an app, “The Roots VR,” as a vehicle for people to discover over 100 Amazonia instruments. Users choose settings to interact with instruments and create pieces using a variety of instrumental combinations; a novel melding of technology with nature to expand the reach of these Indigenous instruments and their cultural significance.

    At the Cultural Center of the Peoples of the Amazon, students gathered around a tree, hand-in-hand singing with Djuena Tikuna, accompanied by percussionist Diego Janatã. “She spoke about being one of the first Indigenous musicians ever to sing in the Teatro Amazonas, which was built on the labor and blood of Indigenous people,” recalls flutist and atmospheric engineer Phoebe Lin, an MIT junior. “And then to hold hands and close our eyes and step back and forth; a rare moment of connection in a tumultuous world — it felt like we were all one.”

    Bringing the forest back to MIT

    On April 29, Djuena Tikuna made her MIT debut at “We Are the Forest — Music of Resilience and Activism,” a special concert for MIT President Sally Kornbluth’s inauguration, presenting music from the Teatro Amazonas event. Led and curated by Harris, the performance included new assistant professor in jazz and saxophonist-composer Miguel Zenón, director of the MIT Vocal Jazz Ensemble; Laura Grill Jaye; and vocalist Sara Serpa, among others. 

    “Music unites people and through art we can draw the world’s attention to the most urgent global challenges such as climate change,” says Djuena Tikuna. “My songs bring the message that every seed will one day germinate to reforest hearts, because we are all from the same village.”

    Hearing Amazônia has set the stage for the blossoming of artistic and scientific collaborations in the Amazon and beyond.

    “The struggle of Indigenous peoples to keep their territories alive should concern us all, and it will take more than science and research to help find solutions for climate change,” notes President Kornbluth. “It will take artists, too, to unite us and raise awareness across all communities. The inclusivity and expressive power of music can help get us all rowing in the same direction — it’s a great way to encourage us all to care and act!” More

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    Q&A: Gabriela Sá Pessoa on Brazilian politics, human rights in the Amazon, and AI

    Gabriela Sá Pessoa is a journalist passionate about the intersection of human rights and climate change. She came to MIT from The Washington Post, where she worked from her home country of Brazil as a news researcher reporting on the Amazon, human rights violations, and environmental crimes. Before that, she held roles at two of the most influential media outlets in Brazil: Folha de S.Paulo, covering local and national politics, and UOL, where she was assigned to coronavirus coverage and later joined the investigative desk.

    Sá Pessoa was awarded the 2023 Elizabeth Neuffer Fellowship by the International Women’s Media Foundation, which supports its recipient with research opportunities at MIT and further training at The Boston Globe and The New York Times. She is currently based at the MIT Center for International Studies. Recently, she sat down to talk about her work on the Amazon, recent changes in Brazilian politics, and her experience at MIT.

    Q: One focus of your reporting is human rights and environmental issues in the Amazon. As part of your fellowship, you contributed to a recent editorial in The Boston Globe on fighting deforestation in the region. Why is reporting on this topic important?

    A: For many Brazilians, the Amazon is a remote and distant territory, and people living in other parts of the country aren’t fully aware of all of its problems and all of its potential. This is similar to the United States — like many people here, they don’t see how they could be related to the human rights violations and the destruction of the rainforest that are happening.

    But, we are all complicit in the destruction in some ways because the economic forces driving the deforestation of the rainforest all have a market, and these markets are everywhere, in Brazil and here in the U.S. I think it is part of journalism to show people in the U.S., Brazil, and elsewhere that we are part of the problem, and as part of the problem, we should be part of the solution by being aware of it, caring about it, and taking actions that are within our power.

    In the U.S., for example, voters can influence policy like the current negotiations for financial support for fighting deforestation in the Amazon. And as consumers, we can be more aware — is the beef we are consuming related to deforestation? Is the timber on our construction sites coming from the Amazon?

    Truth is, in Brazil, we have turned our backs to the Amazon for so long. It’s our duty to protect it for the sake of climate change. If we don’t take care of it, there will be serious consequences to our local climate, our local communities, and for the whole world. It’s a huge matter of human rights because our living depends on that, both locally and globally.

    Q: Before coming to MIT, you were at The Washington Post in São Paulo, where you contributed to reporting on the recent presidential election. What changes do you expect to see with the new Lula administration?

    A: To climate and environment, the first signs were positive. But the optimism did not last a semester, as politics is imposing itself. Lula is facing increasing difficulty building a majority in a conservative Congress, over which agribusiness holds tremendous power and influence. As we speak, environmental policy is under Congress’s attack. A committee in the House has just passed a ruling drowning power from the environmental minister, Marina Silva, and from the recently created National Indigenous People Ministry, led by Sonia Guajajara. Both Marina and Sonia are global ecological and human rights champions, and I wonder what the impact would be if Congress ratifies these changes. It is still unclear how it would impact the efforts to fight deforestation.

    In addition, there is an internal dispute in the government between environmentalists and those in favor of mining and big infrastructure projects. Petrobras, the state-run oil company, is trying to get authorization to research and drill offshore oil reserves in the mouth of the Amazon River. The federal environmental protection agency did a conclusive report suspending the operation, saying it is critical and threatens the region’s sensitive environment and indigenous communities. And, of course, it would be another source of greenhouse gas emissions. ​

    That said, it’s not a denialist government. I should mention the quick response from the administration to the Yanomami genocide earlier this year. In January, an independent media organization named Sumaúma reported on the deaths of over five hundred indigenous children from the Yanomami community in the Amazon over the past four years. This was a huge shock in Brazil, and the administration responded immediately. They sent task forces to the region and are now expelling the illegal miners that were bringing diseases and were ultimately responsible for these humanitarian tragedies. To be clear: It is still a problem. It’s not solved. But this is already a good example of positive action.

    Fighting deforestation in the Amazon and the Cerrado, another biome critical to climate regulation in Brazil, will not be easy. Rebuilding the environmental policy will take time, and the agencies responsible for enforcement are understaffed. In addition, environmental crime has become more sophisticated, connecting with other major criminal organizations in the country. In April, for the first time, there was a reduction in deforestation in the Amazon after two consecutive months of higher numbers. These are still preliminary data, and it is still too early to confirm whether they signal a turning point and may indicate a tendency for deforestation to decrease. On the other hand, the Cerrado registered record deforestation in April.

    There are problems everywhere in the economy and politics that Lula will have to face. In the first week of the new term, on Jan. 8, we saw an insurrection in Brasília, the country’s capital, from Bolsonaro voters who wouldn’t accept the election results. The events resembled what Americans saw in the Capitol attacks in 2021. We also seem to have imported problems from the United States, like mass killings in schools. We never used to have them in Brazil, but we are seeing them now. I’m curious to see how the country will address those problems and if the U.S. can also inspire solutions to that. That’s something I’m thinking about, being here: Are there solutions here? What are they?

    Q: What have you learned so far from MIT and your fellowship?

    A: It’s hard to put everything into words! I’m mostly taking courses and attending lectures on pressing issues to humanity, like existential threats such as climate change, artificial intelligence, biosecurity, and more.

    I’m learning about all these issues, but also, as a journalist, I think that I’m learning more about how I can incorporate the scientific approach into my work; for example, being more pro-positive. I am already a rigorous journalist, but I am thinking about how I can be more rigorous and more transparent about my methods. Being in the academic and scientific environment is inspiring that way.

    I am also learning a lot about how to cover scientific topics and thinking about how technology can offer us solutions (and problems). I’m learning so much that I think I will need some time to digest and fully understand what this period means for me!

    Q: You mentioned artificial intelligence. Would you like to weigh in on this subject and what you have been learning?

    A: It has been a particularly good semester to be at MIT. Generative artificial intelligence, which became more popular after ChatGPT, has been a topic of intense discussion this semester, and I was able to attend many classes, seminars, and events about AI here, especially from a policy perspective.

    Algorithms have influenced the economy, society, and public health for many years. It has had great outcomes, but also injustice. Popular systems like ChatGPT have made this technology incredibly popular and accessible, even for those with no computer knowledge. This is scary and, at the same time, very exciting. Here, I learned that we need guardrails for artificial intelligence, just like other technologies. Think of the pharmaceutical or automobile industries, which have to meet safety criteria before putting a new product on the market. But with artificial intelligence, it’s going to be different; supply chains are very complex and sometimes not very transparent, and the speed at which new resources develop is so fast that it challenges the policymaker’s ability to respond.

    Artificial intelligence is changing the world radically. It’s exciting to have the privilege of being here and seeing these discussions take place. After all, I have a future to report on. At least, I hope so!

    Q: What are you working on going forward?

    A: After MIT, I am going to New York, where I’ll be working with The New York Times in their internship program. I’m really excited about that because it will be a different pace from MIT. I am also doing research on carbon credit markets and hope to continue that project, either in a reporting or academic environment. 

    Honestly, I feel inspired to keep studying. I would love to spend more time here at MIT. I would love to do a master’s or join any program here. I’m going to work on coming back to academia because I think that I need to learn more from the academic environment. I hope that it’s at MIT because honestly, it’s the most exciting environment that I’ve ever been in, with all the people here from different fields and different backgrounds. I’m not a scientist, but it’s inspiring to be with them, and if there’s a way that I could contribute to their work in a way that they’re contributing to my work, I’ll be thrilled to spend more time here. More