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    Given what we know, how do we live now?

    To truly engage the climate crisis, as so many at MIT are doing, can be daunting and draining. But it need not be lonely. Building collective insight and companionship for this undertaking is the aim of the Council on the Uncertain Human Future (CUHF), an international network launched at Clark University in 2014 and active at MIT since 2020.

    Gathering together in council circles of 8-12 people, MIT community members make space to examine — and even to transform — their questions and concerns about climate change. Through a practice of intentional conversation in small groups, the council calls participants to reflect on our human interdependence with each other and the natural world, and on where we are in both social and planetary terms. It urges exploration of how we got here and what that means, and culminates by asking: Given what we know, how do we live now?

    Origins

    CUHF developed gradually in conversations between co-founders Sarah Buie and Diana Chapman Walsh, who met when they were, respectively, the director of Clark’s Higgins School of Humanities and the president of Wellesley College. Buie asked Walsh to keynote a Ford-funded Difficult Dialogues initiative in 2006. In the years and conversations that followed, they concluded that the most difficult dialogue wasn’t happening: an honest engagement with the realities and implications of a rapidly heating planet Earth.

    With social scientist Susi Moser, they chose the practice of council, a blend of both modern and traditional dialogic forms, and began with a cohort of 12 environmental leaders willing to examine the gravest implications of climate change in a supportive setting — what Walsh calls “a kind of container for a deep dive into dark waters.” That original circle met in three long weekends over 2014 and continues today as the original CUHF Steady Council.

    Taking root at MIT

    Since then, the Council on the Uncertain Human Future has grown into an international network, with circles at universities, research centers, and other communities across the United States and in Scotland and Kathmandu. The practice took root at MIT (where Walsh is a life member emerita of the MIT Corporation) in 2020.

    Leadership and communications teams in the MIT School of Humanities, Arts and Social Sciences (SHASS) Office of the Dean and the Environmental Solutions Initiative (ESI) recognized the need the council could meet on a campus buzzing with research and initiatives aimed at improving the health of the planet. Joining forces with the council leadership, the two MIT groups collaborated to launch the program at MIT, inviting participants from across the institute, and sharing information on the MIT Climate Portal. Intentional conversations

    “The council gives the MIT community the kind of deep discourse that is so necessary to face climate change and a rapidly changing world,” says ESI director and professor of architecture John Fernández. “These conversations open an opportunity to create a new kind of breakthrough of mindsets. It’s a rare chance to pause and ask: Are we doing the things we should be doing, given MIT’s mission to the nation and the world, and given the challenges facing us?”

    As the CUHF practice spreads, agendas expand to acknowledge changing times; the group produces films and collections of readings, curates an online resource site, and convenes international Zoom events for members on a range of topics, many of which interact with climate, including racism and Covid-19. But its core activity remains the same: an intentional, probing conversation over time. There are no preconceived objectives, only a few simple guidelines: speak briefly, authentically, and spontaneously, moving around the circle; listen with attention and receptivity; observe confidentiality. “Through this process of honest speaking and listening, insight arises and trustworthy community is built,” says Buie.

    While these meetings were held in person before 2020, the full council experience pivoted to Zoom at the start of the pandemic with two-hour discussions forming an arc over a period of five weeks. Sessions begin with a call for participants to slow down and breathe, grounding themselves for the conversation. The convener offers a series of questions that elicit spontaneous responses, concerns, and observations; later, they invite visioning of new possibilities. Inviting emergent possibility

    While the process may yield tangible outcomes — for example, a curriculum initiative at Clark called A New Earth Conversation — its greatest value, according to Buie, “is the collective listening, acknowledgment, and emergent possibility it invites. Given the profound cultural misunderstandings and misalignments behind it, climate breakdown defies normative approaches to ‘problem-solving.’ The Council enables us to live into the uncertainty with more awareness, humility, curiosity, and compassion. Participants feel the change; they return to their work and lives differently, and less alone.”

    Roughly 60 faculty and staff from across MIT, all engaged in climate-related work, have participated so far in council circles. The 2021 edition of the Institute’s Climate Action Plan provides for the expansion of councils at MIT to deepen humanistic understanding of the climate crisis. The conversations are also a space for engaging with how the climate crisis is related to what the plan calls “the imperative of justice” and “the intertwined problems of equity and economic transition.”

    Reflecting on the growth of the council’s humanistic practice at MIT, Agustín Rayo, professor of philosophy and the Kenan Sahin Dean of MIT SHASS, says: “The council conversations about the future of our species and the planet are an invaluable contribution to MIT’s ‘whole-campus’ focus on the climate crisis.”

    Growing the council at MIT means broadening participation. Postdocs will join a new circle this fall, with opportunities for student involvement soon to follow. More than a third of MIT’s prior council participants have continued with monthly Steady Council meetings, which sometimes reference recent events while deepening the council practice at MIT. The session in December 2021, for example, began with reports from MIT community members who had attended the COP26 UN climate change conference in Glasgow, then broke into council circles to engage the questions raised.

    Cognitive leaps

    The MIT Steady Council is organized by Curt Newton, director of MIT OpenCourseWare and an early contributor to the online platform that became the Institute’s Climate Portal. Newton sees a productive tension between MIT’s culture of problem-solving and the council’s call for participants to slow down and question the paradigms in which they operate. “It can feel wrong, or at least unfamiliar, to put ourselves in a mode where we’re not trying to create an agenda and an action plan,” he says. “To get us to step back from that and think together about the biggest picture before we allow ourselves to be pulled into that solution mindset  — it’s a necessary experiment for places like MIT.”

    Over the past decade, Newton says, he has searched for ways to direct his energies toward environmental issues “with one foot firmly planted at MIT and one foot out in the world.” The silo-busting personal connections he’s made with colleagues through the council have empowered him “to show up with my full climate self at work.”

    Walsh finds it especially promising to see CUHF taking root at MIT, “a place of intensity, collaboration, and high ideals, where the most stunning breakthroughs occur when someone takes a step back, stops the action, changes the trajectory for a time and begins asking new questions that challenge received wisdom.” She sees council as a communal practice that encourages those cognitive leaps. “If ever there were a moment in history that cried out for a paradigm shift,” she says, “surely this is it.”

    Funding for the Council on the Uncertain Human Future comes from the Christopher Reynolds Foundation and the Kaiser Family Foundation.

    Prepared by MIT SHASS CommunicationsEditorial team: Nicole Estvanik Taylor and Emily Hiestand More

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    Scientists and musicians tackle climate change together

    Audiences may travel long distances to see their favorite musical acts in concert or to attend large music festivals, which can add to their personal carbon footprint of emissions that are steadily warming the planet. But these same audiences, and the performers they follow, are often quite aware of the dangers of climate change and eager to contribute to ways of curbing those emissions.

    How should the industry reconcile these two perspectives, and how should it harness the enormous influence that musicians have on their fans to help promote action on climate change?

    That was the focus of a wide-ranging discussion on Monday hosted by MIT’s Environmental Solutions Initiative, titled “Artists and scientists together on climate solutions.” The event, which was held live at the Media Lab’s Bartos Theater and streamed online, featured John Fernandez, director of ESI; Dava Newman, director of the Media Lab; Tony McGuinness, a musician with the group Above and Beyond; and Anna Johnson, the sustainability and environment officer at Involved Group, an organization dedicated to embedding sustainability in business operations in the arts and culture fields.

    Fernandez pointed out in opening the discussion that when it comes to influencing people’s attitudes and behavior, changes tend to come about not just through information from a particular field, but rather from a whole culture. “We started thinking about how we might work with artists, how to have scientists and engineers, inventors, and designers working with artists on the challenges that we really need to face,” he said.

    Dealing with the climate change issue, he said, “is not about 2050 or 2100. This is about 2030. This is about this decade. This is about the next two or three years, really shifting that curve” to lowering the world’s greenhouse gas emissions. “It’s not going to be done just with science and engineering,” he added. “It’s got to be done with artists and business and everyone else. It’s not only ‘all of the above’ solutions, it’s ‘all of the above’ people, coming together to solve this problem.”

    Newman, who is also a professor in MIT’s Department of Aeronautics and Astronautics and has served as a NASA deputy administrator, said that while scientists and engineers can produce vast amounts of useful data that clearly demonstrate the dramatic changes the Earth’s climate is undergoing, communicating that information effectively is often a challenge for these specialists. “That data is just the data, but that doesn’t change the hearts and minds,” she said.

    “As scientists, having the data from our satellites, looking down, but also flying airplanes into the atmosphere, … we have the sensors, and then what can we do with it all? … How do we change human behavior? That’s the part I don’t know how to do,” Newman said. “I can have the technology, I can get precision measurements, I can study it, but really at the end of the day, we have to change human behavior, and that is so hard.”

    And that’s where the world of art and music can play a part, she said. “The best way that I know how to do it is with artistic experiences. You can have one moving experience and when you wake up tomorrow, maybe you’re going to do something a little different.” To help generate the compassion and empathy needed to affect behavior positively, she said, “that’s where we turn to the storytellers. We turn to the visionaries.”

    McGuinness, whose electronic music trio has performed for millions of people around the world, said that his own awareness of the urgency of the climate issue came from his passion for scuba diving, and the dramatic changes he has seen over the last two decades. In diving at a coral reef off Palau in the South Pacific, he returned to what had been a lush, brightly colored ecosystem, and found that “immediately when you put your face under the water, you’re looking at the surface of the moon. It was a horrible shock to see this.”

    After this and other similar diving experiences, he said, “I just came away shocked and stunned,” and realizing the kinds of underwater experiences he had enjoyed would no longer exist for his children. After reading more on the subject of global warming,  “that really sort of tipped me over the edge. And I was like, this is probably the most important thing for living beings now. And that’s sort of where I’ve remained ever since.”

    While his group Above and Beyond has performed one song specifically related to global warming, he doesn’t expect that to be the most impactful way of using their influence. Rather, they’re trying to lead by example, he said, by paying more attention to everything from the supply chains of the merchandise sold at concerts to the emissions generated by travel to the concerts. They’re also being selective about concert venues and making an effort to find performance spaces that are making a significant effort to curb their emissions.

    “If people start voting with their wallets,” McGuinness said, “and there are companies that are doing better than others and are doing the right thing, maybe it’ll catch on. I guess that’s what we can hope for.”

    Understanding these kinds of issues, involving supply chains, transportation, and facilities associated within the music industry, has been the focus of much of Johnson’s work, through the organization Involved Group, which has entered into a collaboration with MIT through the Environmental Solutions Initiative. “It’s these kinds of novel partnerships that have so much potential to catalyze the change that we need to see at an incredible pace,” she said. Already, her group has worked with MIT on mapping out where emissions occur throughout the various aspects of the music industry.

    At a recent music festival in London, she said, the group interviewed hundreds of participants, including audience members, band members, and the crew. “We explored people’s level of awareness of the issues around climate change and environmental degradation,” she said. “And what was really interesting was that there was clearly a lot of awareness of the issue across those different stakeholders, and what felt like a real, genuine level of concern and also of motivation, to want to deepen their understanding of what their contribution on a personal level really meant.”

    Working together across the boundaries of different disciplines and areas of expertise could be crucial to winning the battle against global warming, Newman said. “That’s usually how breakthroughs work,” she said. “If we’re really looking to have impact, it’s going to be from teams of people who are trained across the disciplines.” She pointed out that 90 percent of MIT students are also musicians: “It does go together!” she said. “I think going forward, we have to create new academia, new opportunities that are truly multidisciplinary.” More