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    Q&A: A high-tech take on Wagner’s “Parsifal” opera

    The world-famous Bayreuth Festival in Germany, annually centered around the works of composer Richard Wagner, launched this summer on July 25 with a production that has been making headlines. Director Jay Scheib, an MIT faculty member, has created a version of Wagner’s celebrated opera “Parsifal” that is set in an apocalyptic future (rather than the original Medieval past), and uses augmented reality headset technology for a portion of the audience, among other visual effects. People using the headsets see hundreds of additional visuals, from fast-moving clouds to arrows being shot at them. The AR portion of the production was developed through a team led by designer and MIT Technical Instructor Joshua Higgason.

    The new “Parsifal” has engendered extensive media attention and discussion among opera followers and the viewing public. Five years in the making, it was developed with the encouragement of Bayreuth Festival general manager Katharina Wagner, Richard Wagner’s great-granddaughter. The production runs until Aug. 27, and can also be streamed on Stage+. Scheib, the Class of 1949 Professor in MIT’s Music and Theater Arts program, recently talked to MIT News about the project from Bayreuth.

    Q: Your production of “Parsifal” led off this year’s entire Bayreuth festival. How’s it going?

    A: From my point of view it’s going quite swimmingly. The leading German opera critics and the audiences have been super-supportive and Bayreuth makes it possible for a work to evolve … Given the complexity of the technical challenge of making an AR project function in an opera house, the bar was so high, it was a difficult challenge, and we’re really happy we found a way forward, a way to make it work, and a way to make it fit into an artistic process. I feel great.

    Q: You offer a new interpretation of “Parsifal,” and a new setting for it. What is it, and why did you choose to interpret it this way?

    A: One of the main themes in “Parsifal” is that the long-time king of this holy grail cult is wounded, and his wound will not heal. [With that in mind], we looked at what the world was like when the opera premiered in the late 19th century, around the time of what was known as the Great African Scramble, when Europe re-drew the map of Africa, largely based on resources, including mineral resources.

    Cobalt remains [the focus of] dirty mining practices in the Democratic Republic of Congo, and is a requirement for a lot of our electronic objects, in particular batteries. There are also these massive copper deposits discovered under a Buddhist temple in Afghanistan, and lithium under a sacred site in Nevada. We face an intense challenge in climate change, and the predictions are not good. Some of our solutions like electric cars require these materials, so they’re only solutions for some people, while others suffer [where minerals are being mined]. We started thinking about how wounds never heal, and when the prospect of creating a better world opens new wounds in other communities. … That became a theme. It also comes out of the time when we were making it, when Covid happened and George Floyd was murdered, which created an opportunity in the U.S. to start speaking very openly about wounds that have not healed.

    We set it in a largely post-human environment, where we didn’t succeed, and everything has collapsed. In the third act, there’s derelict mining equipment, and the holy water is this energy-giving force, but in fact it’s this lithium-ion pool, which gives us energy and then poisons us. That’s the theme we created.

    Q: What were your goals about integrating the AR technology into the opera, and how did you achieve that?

    A: First, I was working with my collaborator Joshua Higgason. No one had ever really done this before, so we just started researching whether it was possible. And most of the people we talked to said, “Don’t do it. It’s just not going to work.” Having always been a daredevil at heart, I was like, “Oh, come on, we can figure this out.”

    We were diligent in exploring the possibilities. We made multiple trips to Bayreuth and made these milimeter-accurate laser scans of the auditorium and the stage. We built a variety of models to see how to make AR work in a large environment, where 2,000 headsets could respond simultaneously. We built a team of animators and developers and programmers and designers, from Portugal to Cambridge to New York to Hungary, the UK, and a group in Germany. Josh led this team, and they got after it, but it took us the better part of two years to make it possible for an audience, some of whom don’t really use smartphones, to put on an AR headset and have it just work.

    I can’t even believe we did this. But it’s working.

    Q: In opera there’s hopefully a productive tension between tradition and innovation. How do you think about that when it comes to Wagner at Bayreuth?

    A: Innovation is the tradition at Bayreuth. Musically and scenographically. “Parsifal” was composed for this particular opera house, and I’m incredibly respectful of what this event is made for. We are trying to create a balanced and unified experience, between the scenic design and the AR and the lighting and the costume design, and create perfect moments of convergence where you really lose yourself in the environment. I believe wholly in the production and the performers are extraordinary. Truly, truly, truly extraordinary.

    Q: People have been focused on the issue of bringing AR to Bayreuth, but what has Bayreuth brought to you as a director?

    A: Working in Bayreuth has been an incredible experience. The level of intellectual integrity among the technicians is extraordinary. The amount of care and patience and curiosity and expertise in Bayreuth is off the charts. This community of artists is the greatest. … People come here because it’s an incredible meeting of the minds, and for that I’m immensely filled with gratitude every day I come into the rehearsal room. The conductor, Pablo Heras-Casado, and I have been working on this for several years. And the music is still first. We’re setting up technology not to overtake the music, but to support it, and visually amplify it.

    It must be said that Katharina Wagner has been one of the most powerfully supportive artistic directors I have ever worked with. I find it inspiring to witness her tenacity and vision in seeing all of this through, despite the hurdles. It’s been a great collaboration. That’s the essence: great collaboration. More

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    MIT engineering students take on the heat of Miami

    Think back to the last time you had to wait for a bus. How miserable were you? If you were in Boston, your experience might have included punishing wind and icy sleet — or, more recently, a punch of pollen straight to the sinuses. But in Florida’s Miami-Dade County, where the effects of climate change are both drastic and intensifying, commuters have to contend with an entirely different set of challenges: blistering temperatures and scorching humidity, making long stints waiting in the sun nearly unbearable.

    One of Miami’s most urgent transportation needs is shared by car-clogged Boston: coaxing citizens to use the municipal bus network, rather than the emissions-heavy individual vehicles currently contributing to climate change. But buses can be a tough sell in a sunny city where humidity hovers between 60 and 80 percent year-round. 

    Enter MIT’s Department of Electrical Engineering and Computer Science (EECS) and the MIT Priscilla King Gray (PKG) Public Service Center. The result of close collaboration between the two organizations, class 6.900 (Engineering For Impact) challenges EECS students to apply their engineering savvy to real-world problems beyond the MIT campus.

    This spring semester, the real-world problem was heat. 

    Miami-Dade County Department of Transportation and Public Works Chief Innovation Officer Carlos Cruz-Casas explains: “We often talk about the city we want to live in, about how the proper mix of public transportation, on-demand transit, and other mobility solutions, such as e-bikes and e-scooters, could help our community live a car-light life. However, none of this will be achievable if the riders are not comfortable when doing so.” 

    “When people think of South Florida and climate change, they often think of sea level rise,” says Juan Felipe Visser, deputy director of equity and engagement within the Office of the Mayor in Miami-Dade. “But heat really is the silent killer. So the focus of this class, on heat at bus stops, is very apt.” With little tree cover to give relief at some of the hottest stops, Miami-Dade commuters cluster in tiny patches of shade behind bus stops, sometimes giving up when the heat becomes unbearable. 

    A more conventional electrical engineering course might use temperature monitoring as an abstract example, building sample monitors in isolation and grading them as a merely academic exercise. But Professor Joel Volman, EECS faculty head of electrical engineering, and Joe Steinmeyer, senior lecturer in EECS, had something more impactful in mind.

    “Miami-Dade has a large population of people who are living in poverty, undocumented, or who are otherwise marginalized,” says Voldman. “Waiting, sometimes for a very long time, in scorching heat for the bus is just one aspect of how a city population can be underserved, but by measuring patterns in how many people are waiting for a bus, how long they wait, and in what conditions, we can begin to see where services are not keeping up with demand.”

    Only after that gap is quantified can the work of city and transportation planners begin, Cruz-Casas explains: “We needed to quantify the time riders are exposed to extreme heat and prioritize improvements, including on-time performance improvements, increasing service frequency, or looking to enhance the tree canopy near the bus stop.” 

    Quantifying that time — and the subjective experience of the wait — proved tricky, however. With over 7,500 bus stops along 101 bus routes, Miami-Dade’s transportation network presents a considerable data-collection challenge. A network of physical temperature monitors could be useful, but only if it were carefully calibrated to meet the budgetary, environmental, privacy, and implementation requirements of the city. But how do you work with city officials — not to mention all of bus-riding Miami — from over 2,000 miles away? 

    This is where the PKG Center comes in. “We are a hub and a connector and facilitator of best practices,” explains Jill Bassett, associate dean and director of the center, who worked with Voldman and Steinmeyer to find a municipal partner organization for the course. “We bring knowledge of current pedagogy around community-engaged learning, which includes: help with framing a partnership that centers community-identified concerns and is mutually beneficial; identifying and learning from a community partner; talking through ways to build in opportunities for student learners to reflect on power dynamics, reciprocity, systems thinking, long-term planning, continuity, ethics, all the types of things that come up with this kind of shared project.”

    Through a series of brainstorming conversations, Bassett helped Voldman and Steinmeyer structure a well-defined project plan, as Cruz-Casas weighed in on the county’s needed technical specifications (including affordability, privacy protection, and implementability).

    “This course brings together a lot of subject area experts,” says Voldman. “We brought in guest lecturers, including Abby Berenson from the Sloan Leadership Center, to talk about working in teams; engineers from BOSE to talk about product design, certification, and environmental resistance; the co-founder and head of engineering from MIT spinout Butlr to talk about their low-power occupancy sensor; Tony Hu from MIT IDM [Integrated Design and Management] to talk about industrial design; and Katrina LaCurts from EECS to talk about communications and networking.”

    With the support of two generous donations and a gift of software from Altium, 6.900 developed into a hands-on exercise in hardware/software product development with a tangible goal in sight: build a better bus monitor.

    The challenges involved in this undertaking became apparent as soon as the 6.900 students began designing their monitors. “The most challenging requirement to meet was that the monitor be able to count how many people were waiting — and for how long they’d been standing there — while still maintaining privacy,” says Fabian Velazquez ’23 a recent EECS graduate. The task was complicated by commuters’ natural tendency to stand where the shade goes — whether beneath a tree or awning or snaking against a nearby wall in a line — rather than directly next to the bus sign or inside the bus shelter. “Accurately measuring people count with a camera — the most straightforward choice — is already quite difficult since you have to incorporate machine learning to identify which objects in frame are people. Maintaining privacy added an extra layer of constraint … since there is no guarantee the collected data wouldn’t be vulnerable.”

    As the groups weighed various privacy-preserving options, including lidar, radar, and thermal imaging, the class realized that Wi-Fi “sniffers,” which count the number of Wi-Fi enabled signals in the immediate area, were their best option to count waiting passengers. “We were all excited and ready for this amazing, answer-to-all-our-problems radar sensor to count people,” says Velasquez. “That component was extremely complex, however, and the complexity would have ultimately made my team use a lot of time and resources to integrate with our system. We also had a short time-to-market for this system we developed. We made the trade-off of complexity for robustness.” 

    The weather also posed its own set of challenges. “Environmental conditions were big factors on the structure and design of our devices,” says Yong Yan (Crystal) Liang, a rising junior majoring in EECS. “We incorporated humidity and temperature sensors into our data to show the weather at individual stops. Additionally, we also considered how our enclosure may be affected by extreme heat or potential hurricanes.”

    The heat variable proved problematic in multiple ways. “People detection was especially difficult, for in the Miami heat, thermal cameras may not be able to distinguish human body temperature from the surrounding air temperature, and the glare of the sun off of other surfaces in the area makes most forms of imaging very buggy,” says Katherine Mohr ’23. “My team had considered using mmWave sensors to get around these constraints, but we found the processing to be too difficult, and (like the rest of the class), we decided to only move forward with Wi-Fi/BLE [Bluetooth Low Energy] sniffers.”

    The most valuable component of the new class may well have been the students’ exposure to real-world hardware/software engineering product development, where limitations on time and budget always exist, and where client requests must be carefully considered.  “Having an actual client to work with forced us to learn how to turn their wants into more specific technical specifications,” says Mohr. “We chose deliverables each week to complete by Friday, prioritizing tasks which would get us to a minimum viable product, as well as tasks that would require extra manufacturing time, like designing the printed-circuit board and enclosure.”

    Play video

    Joel Voldman, who co-designed 6.900 (Engineering For Impact) with Joe Steinmeyer and MIT’s Priscilla King Gray (PKG) Public Service Center, describes how the course allowed students help develop systems for the public good. Voldman is the winner of the 2023 Teaching with Digital Technology Award, which is co-sponsored by MIT Open Learning and the Office of the Vice Chancellor. Video: MIT Open Learning

    Crystal Liang counted her conversations with city representatives as among her most valuable 6.900 experiences. “We generated a lot of questions and were able to communicate with the community leaders of this project from Miami-Dade, who made time to answer all of them and gave us ideas from the goals they were trying to achieve,” she reports. “This project gave me a new perspective on problem-solving because it taught me to see things from the community members’ point of view.” Some of those community leaders, including Marta Viciedo, co-founder of Transit Alliance Miami, joined the class’s final session on May 16 to review the students’ proposed solutions. 

    The students’ thoughtful approach paid off when it was time to present the heat monitors to the class’s client. In a group conference call with Miami-Dade officials toward the end of the semester, the student teams shared their findings and the prototypes they’d created, along with videos of the devices at work. Juan Felipe Visser was among those in attendance. “This is a lot of work,” he told the students following their presentation. “So first of all, thank you for doing that, and for presenting to us. I love the concept. I took the bus this morning, as I do every morning, and was battered by the sun and the heat. So I personally appreciated the focus.” 

    Cruz-Casas agreed: “I am pleasantly surprised by the diverse approach the students are taking. We presented a challenge, and they have responded to it and managed to think beyond the problem at hand. I’m very optimistic about how the outcomes of this project will have a long-lasting impact for our community. At a minimum, I’m thinking that the more awareness we raise about this topic, the more opportunities we have to have the brightest minds seeking for a solution.”

    The creators of 6.900 agree, and hope that their class helps more MIT engineers to broaden their perspective on the meaning and application of their work. 

    “We are really excited about students applying their skills within a real-world, complex environment that will impact real people,” says Bassett. “We are excited that they are learning that it’s not just the design of technology that matters, but that climate; environment and built environment; and issues around socioeconomics, race, and equity, all come into play. There are layers and layers to the creation and deployment of technology in a demographically diverse multilingual community that is at the epicenter of climate change.” More

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    Engineering for social impact

    A desire to make meaningful contributions to society has influenced Runako Gentles’ path in life. Gentles grew up in Jamaica with a supportive extended family that instilled in him his connection to his faith and his aspiration to aim for greatness.

    “While growing up, I was encouraged to live a life that could potentially bring about major positive changes in my family and many other people’s lives,” says the MIT junior.

    One of those pathways his parents encouraged is pursuing excellence in academics.

    Gentles attended Campion College, a Jesuit high school in Jamaica for academically high-achieving students. Gentles was valedictorian and even won an award “for the member of the valedictory class who most closely resembles the ideal of intellectual competence, openness to growth, and commitment to social justice.”

    Although he did well in all subjects, he naturally gravitated toward biology and chemistry. “There are certain subjects people just make sense of material much faster, and high school biology and chemistry were those subjects for me,” he says. His love of learning often surprised friends and classmates when he could recall science concepts and definitions years later.  

    For several years Gentles wanted to pursue the field of medicine. He remembers becoming more excited about the career of a surgeon after reading a book on the story of retired neurosurgeon Ben Carson. During his advanced studies at Campion, he attended a career event and met with a neurosurgeon who invited him and other classmates to watch a surgical procedure. Gentles had the unique learning experience to observe a spinal operation. Around that same time another learning opportunity presented itself. His biology teacher recommended he apply to a Caribbean Science Foundation initiative called Student Program for Innovation, Science, and Engineering (SPISE) to explore careers in science, technology, engineering, and math. The intensive residential summer program for Caribbean students is modeled after the Minority Introduction to Engineering and Science (MITES) program at MIT. Cardinal Warde, a professor of electrical engineering at MIT who is also from the Caribbean, serves as the faculty director for both MITES and SPISE. The program was Gentles’ first major exposure to engineering.

    “I felt like I was in my first year of college at SPISE. It was an amazing experience and it helped me realize the opportunities that an engineering career path offers,” Gentles says. He excelled in the SPISE program, even winning one of the program’s highest honors for demonstrating overall excellence and leadership.

    SPISE was profoundly impactful to Gentles and he decided to pursue engineering at MIT. While further exploring his engineering interests before his first year at MIT, he remembers reading an article that piqued his interest in industry sectors that met basic human and societal needs.

    “I started thinking more about engineering and ethics,” says Gentles. He wanted to spend his time learning how to use science and engineering to make meaningful change in society.  “I think back to wanting to be a doctor for many years to help sick people, but I took it a step further. I wanted to get closer to addressing some of the root causes of deaths, illnesses, and the poor quality of life for billions of people,” he says of his decision to pursue a degree in civil and environmental engineering.

    Gentles spent his first semester at MIT working as a remote student when the Covid pandemic shut down in-person learning. He participated in 1.097 (Introduction to Civil and Environmental Engineering Research) during the January Independent Activities Period, in which undergraduates work one-on-one with graduate students or postdoc mentors on research projects that align with their interests. Gentles worked in the lab of Ruben Juanes exploring the use of machine learning to analyze earthquake data to determine whether different geologic faults in Puerto Rico resulted in distinguishable earthquake clusters. He joined the lab of Desiree Plata in the summer of his sophomore year on another undergraduate research opportunity (UROP) project, analyzing diesel range organic compounds in water samples collected from shallow groundwater sources near hydraulic fracking sites in West Virginia. The experience even led Gentles to be a co-author in his graduate student mentor’s abstract proposal for the American Geophysical Union Fall Meeting 2022 conference.  

    Gentles says he found the Department of Civil and Environmental Engineering a place for him to have the big-picture mindset of thinking about how technology is going to affect the environment, which ultimately affects society. “Choosing this department was not just about gaining the technical knowledge that most interested me. I wanted to be in a space where I would significantly develop my mindset of using innovation to bring more harmony between society and the environment,” says Gentles.

    Outside of the classroom, learning acoustic guitar is a passion for Gentles. He plays at social events for Cru, a Christian community at MIT, where he serves as a team leader. He credits Cru with helping him feel connected to a lot of different people, even outside of MIT.

    He’s also a member of the Bernard M. Gordon-MIT Engineering Leadership Program, which helps undergraduates gain and hone leadership skills to prepare them for careers in engineering. After learning and exploring more UROPs and classes in civil and environmental engineering, he aspires to hold a position of leadership where he can use his environmental knowledge to impact human lives.

    “Mitigating environmental issues can sometimes be a very complicated endeavor involving many stakeholders,” Gentles says. “We need more bright minds to be thinking of creative ways to address these pressing problems. We need more leaders helping to make society more harmonious with our planet.” More

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    Lama Willa Baker challenges MIT audience to look beyond technology to solve the climate crises

    Buddhist teacher Willa Blythe Baker called for an “embodied revolution,” in speaking to an MIT audience on May 5, to create a world in which we realize we are connected and interdependent with each other and with our natural environment. She envisioned a world in which we always ask of every question: “How will this affect our bodies, trees, plants, mosses, water, air around us?”

    Authorized as a dharma teacher and lineage holder (lama) in the Kagyu lineage of Tibetan Buddhism, Baker holds a PhD in religion form Harvard University and is founder and spiritual co-director of the Natural Dharma Fellowship in Boston. As experts warn of warming oceans, rising sea levels, turbulent weather, mass extinctions, droughts, hunger, and global pandemics, she said, “Much is made of what we must do, but little is made of how we must live and who we must become”

    The climate crisis has been “framed as a set of problems that need to be solved through intellectual ingenuity, engineering, and technology. These solutions are critical, but they do not require grappling with the underlying issue … They do not look beyond doing, to being.’“

    Part of the problem, Baker pointed out, is that in discussing climate change, we frequently approach it in terms of what we must give up to live more sustainably — but not in terms of what we gain by living simply and mindfully.

    Disembodiment

    Baker outlined her view that “disembodiment” is a key underlying cause of the global environmental crisis. This disembodied state causes us to feel separate from our ecosystem, and from one another, and from our own bodies, leading to a state of constant worry about the past or the future, and to a constant desire or ambition for more. Disembodiment  is the state of being “up in the head” and out of touch with the body, and being disconnected from the here and now.

    The climate crisis, Baker put forward, is in part a result of society’s long journey away from the embodied ways of being in earlier agrarian societies in which there was a more intimate relationship between humans and their natural world.

    The contemplative tradition

    Baker said the contemplative perspective, and the practices of meditation and mindfulness, have much to offer climate activists. Rather than viewing meditation, prayer, or contemplation as passive acts, these practices are active pursuits, according to Baker, as “engagements of attention and embodiment that steward novel ways of knowing and being.”

    She explained further how an “embodied contemplative perspective” re-frames the climate crisis. Instead of viewing the crisis as external, the climate crisis calls for us to look inward to our motivations and values. “It is asking us to inquire into who and what we are, not just what we do.” Rather than seeing ourselves as “stewards” of the planet, we should see ourselves as part of the planet.

    “The idea of embodiment gets us to explore who we are in the deepest sense … Embodiment is a journey from our isolated sense of separateness, our sense of limited cognitive identity, back to the body and senses, back to our animal wisdom, back to the earthly organic identity of being bound by gravity.”

    Baker pointed to the central Buddhist tenet that we live with the illusion of separateness, and, she said, “the task of this human life is to see beyond the veil of that illusion.”

    Embodiment will bring us “back to the body and senses; back to our animal wisdom; back to the earthly organic identity of being bound by gravity. These wisdoms remind us of who we are — that we are of the Earth.”

    How much is enough?

    A lively discussion was held following the presentation. One audience member asked how to reconcile the idea of looking to the body for wisdom, when some of the climate crisis is fueled by our need for bodily comfort. Baker replied, “We have started to associate comfort with plenty … That’s a point of reflection. How much is enough?” She said that part of the Buddhist path is the cultivation of knowing that whatever you have is enough.

    One MIT student studying mechanical engineering asked how to reconcile these ideas with a capitalistic society. He pointed out that “a lot of industry is driven by the need to accumulate more capital … Every year, you want to increase your balance sheet … How do you tell companies that what you have is enough?”

    Baker agreed that that our current economic system constantly encourages us to want “more.” “Human happiness is at stake, in addition to our planet’s survival. If we’re told that the ‘next thing’ will make us happy, we will be seeking happiness externally. I think the system will change eventually. I don’t think we have any choice. The planet cannot sustain a world where we’re producing and producing more and more stuff for us to need and want.”

    One audience member asked how to meet the challenge of being embodied in our busy world. Baker said that “embodiment and disembodiment is a continuum. Sometimes we have to be in our head. We’re taking a test, or writing a paper. But we can get ‘up there’ so much that we forget we have a body.” She called for ‘bringing your attention down. Pausing and bring attention all the way down, and feeling the Earth below your feet … There’s a calming and centering that comes with coming down and connecting with the Earth below. Being present and grounded and in tune.”

    Baker said the body can show us, “Just here. Just now. Just this.”

    The speaker was introduced by Professor Emma J. Teng, the T.T. and Wei Fong Chao Professor of Asian Civilizations at MIT. This spring, Teng introduced a new class 21G.015 (Introduction to Buddhism, Mindfulness, and Meditation), a half-term subject that met with the class PE.0534 (Fitness and Meditation), taught by Sarah Johnson, so that students learned basic ideas of Buddhism and its history while having a chance to learn and practice mindfulness and meditation techniques.

    This event was the latest in the T.T. and W.F. Chao Distinguished Buddhist Lecture Series. This series engages the rich history of Buddhist thought and ethical action to advance critical dialogues on ethics, humanity, and MIT’s mission “to develop in each member of the MIT community the ability and passion to work wisely, creatively, and effectively for the betterment of humankind.”

    Baker’s books include “Essence of Ambrosia” (2005), “Everyday Dharma”(2009), “The Arts of Contemplative Care” (2012) and “The Wakeful Body” (2021). Her guided meditations can be found here. More

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    Given what we know, how do we live now?

    To truly engage the climate crisis, as so many at MIT are doing, can be daunting and draining. But it need not be lonely. Building collective insight and companionship for this undertaking is the aim of the Council on the Uncertain Human Future (CUHF), an international network launched at Clark University in 2014 and active at MIT since 2020.

    Gathering together in council circles of 8-12 people, MIT community members make space to examine — and even to transform — their questions and concerns about climate change. Through a practice of intentional conversation in small groups, the council calls participants to reflect on our human interdependence with each other and the natural world, and on where we are in both social and planetary terms. It urges exploration of how we got here and what that means, and culminates by asking: Given what we know, how do we live now?

    Origins

    CUHF developed gradually in conversations between co-founders Sarah Buie and Diana Chapman Walsh, who met when they were, respectively, the director of Clark’s Higgins School of Humanities and the president of Wellesley College. Buie asked Walsh to keynote a Ford-funded Difficult Dialogues initiative in 2006. In the years and conversations that followed, they concluded that the most difficult dialogue wasn’t happening: an honest engagement with the realities and implications of a rapidly heating planet Earth.

    With social scientist Susi Moser, they chose the practice of council, a blend of both modern and traditional dialogic forms, and began with a cohort of 12 environmental leaders willing to examine the gravest implications of climate change in a supportive setting — what Walsh calls “a kind of container for a deep dive into dark waters.” That original circle met in three long weekends over 2014 and continues today as the original CUHF Steady Council.

    Taking root at MIT

    Since then, the Council on the Uncertain Human Future has grown into an international network, with circles at universities, research centers, and other communities across the United States and in Scotland and Kathmandu. The practice took root at MIT (where Walsh is a life member emerita of the MIT Corporation) in 2020.

    Leadership and communications teams in the MIT School of Humanities, Arts and Social Sciences (SHASS) Office of the Dean and the Environmental Solutions Initiative (ESI) recognized the need the council could meet on a campus buzzing with research and initiatives aimed at improving the health of the planet. Joining forces with the council leadership, the two MIT groups collaborated to launch the program at MIT, inviting participants from across the institute, and sharing information on the MIT Climate Portal. Intentional conversations

    “The council gives the MIT community the kind of deep discourse that is so necessary to face climate change and a rapidly changing world,” says ESI director and professor of architecture John Fernández. “These conversations open an opportunity to create a new kind of breakthrough of mindsets. It’s a rare chance to pause and ask: Are we doing the things we should be doing, given MIT’s mission to the nation and the world, and given the challenges facing us?”

    As the CUHF practice spreads, agendas expand to acknowledge changing times; the group produces films and collections of readings, curates an online resource site, and convenes international Zoom events for members on a range of topics, many of which interact with climate, including racism and Covid-19. But its core activity remains the same: an intentional, probing conversation over time. There are no preconceived objectives, only a few simple guidelines: speak briefly, authentically, and spontaneously, moving around the circle; listen with attention and receptivity; observe confidentiality. “Through this process of honest speaking and listening, insight arises and trustworthy community is built,” says Buie.

    While these meetings were held in person before 2020, the full council experience pivoted to Zoom at the start of the pandemic with two-hour discussions forming an arc over a period of five weeks. Sessions begin with a call for participants to slow down and breathe, grounding themselves for the conversation. The convener offers a series of questions that elicit spontaneous responses, concerns, and observations; later, they invite visioning of new possibilities. Inviting emergent possibility

    While the process may yield tangible outcomes — for example, a curriculum initiative at Clark called A New Earth Conversation — its greatest value, according to Buie, “is the collective listening, acknowledgment, and emergent possibility it invites. Given the profound cultural misunderstandings and misalignments behind it, climate breakdown defies normative approaches to ‘problem-solving.’ The Council enables us to live into the uncertainty with more awareness, humility, curiosity, and compassion. Participants feel the change; they return to their work and lives differently, and less alone.”

    Roughly 60 faculty and staff from across MIT, all engaged in climate-related work, have participated so far in council circles. The 2021 edition of the Institute’s Climate Action Plan provides for the expansion of councils at MIT to deepen humanistic understanding of the climate crisis. The conversations are also a space for engaging with how the climate crisis is related to what the plan calls “the imperative of justice” and “the intertwined problems of equity and economic transition.”

    Reflecting on the growth of the council’s humanistic practice at MIT, Agustín Rayo, professor of philosophy and the Kenan Sahin Dean of MIT SHASS, says: “The council conversations about the future of our species and the planet are an invaluable contribution to MIT’s ‘whole-campus’ focus on the climate crisis.”

    Growing the council at MIT means broadening participation. Postdocs will join a new circle this fall, with opportunities for student involvement soon to follow. More than a third of MIT’s prior council participants have continued with monthly Steady Council meetings, which sometimes reference recent events while deepening the council practice at MIT. The session in December 2021, for example, began with reports from MIT community members who had attended the COP26 UN climate change conference in Glasgow, then broke into council circles to engage the questions raised.

    Cognitive leaps

    The MIT Steady Council is organized by Curt Newton, director of MIT OpenCourseWare and an early contributor to the online platform that became the Institute’s Climate Portal. Newton sees a productive tension between MIT’s culture of problem-solving and the council’s call for participants to slow down and question the paradigms in which they operate. “It can feel wrong, or at least unfamiliar, to put ourselves in a mode where we’re not trying to create an agenda and an action plan,” he says. “To get us to step back from that and think together about the biggest picture before we allow ourselves to be pulled into that solution mindset  — it’s a necessary experiment for places like MIT.”

    Over the past decade, Newton says, he has searched for ways to direct his energies toward environmental issues “with one foot firmly planted at MIT and one foot out in the world.” The silo-busting personal connections he’s made with colleagues through the council have empowered him “to show up with my full climate self at work.”

    Walsh finds it especially promising to see CUHF taking root at MIT, “a place of intensity, collaboration, and high ideals, where the most stunning breakthroughs occur when someone takes a step back, stops the action, changes the trajectory for a time and begins asking new questions that challenge received wisdom.” She sees council as a communal practice that encourages those cognitive leaps. “If ever there were a moment in history that cried out for a paradigm shift,” she says, “surely this is it.”

    Funding for the Council on the Uncertain Human Future comes from the Christopher Reynolds Foundation and the Kaiser Family Foundation.

    Prepared by MIT SHASS CommunicationsEditorial team: Nicole Estvanik Taylor and Emily Hiestand More