The avian plumage color gamut is much more diverse than previously estimated2. We demonstrate that hummingbird barbule structural colors contribute substantially to the total color diversity of living birds, occurring in areas of the avian color space that were sparsely occupied in Stoddard and Prum2, which most notably included saturated blues, greens, and true purples (blue + red). Such regions of the avian color space were suggested to be unoccupied because these colors are challenging to create, rather than because they might function poorly for communication2. Our results support this hypothesis because hummingbird coloration densely occupies these regions of the avian color gamut (Fig. 2d), using plumage patches that generally play particularly important roles in hummingbird communication, such as throat and crown plumage patches (Supplementary Fig. 5)16,17. The greater color diversity uncovered by our study suggests that barbule structural coloration is the most versatile class of all plumage coloration mechanisms and poses the least constraints on the evolvability of plumage color diversity. Barbule structural colors evolve through changes in the size, shape, spacing, and refractive index of barbule melanosome nanostructures, but little is known about how changes in these parameters themselves evolve18.
The UV/V + green region of avian color space remains mostly unoccupied (Fig. 2c, d). It is challenging to create colors with separate reflectance peaks within the wavelength sensitivities of non-adjacent color cones because the peaks must be highly saturated to avoid stimulating neighboring cones2. However, this idea does not explain why there are far more true purple (blue + red) than UV/V + green plumage colors. Notably, birds particularly fail to fill the more UV/V regions (those closer to the UV/V vertex) of UV/V + green color space, which might indicate that it is difficult to create spectra with uv/v wavelength peaks higher than those in the m wavelengths.
The differences between our methods and those of Stoddard and Prum2 likely contribute in part to the larger gamut size when comparing species data but not overall data. While the number of species included in our study was comparable to that of Stoddard and Prum2 (114 vs 111 species, respectively), we measured almost twice as many plumage patches as they did (+1600 vs. 965 patches). To prevent erroneous distortion to iridescent colors we did not average the three measurements per patch. Both studies measured six standard patches for all species and additional patches if necessary to capture other plumage color variation. The larger number of plumage patches we measured reflects how color diverse hummingbird plumages are. Our methods preserved the natural variation in hue due to iridescence and avoided the distorted flattening caused by averaging highly saturated peaks with slightly different peak hues. Although our methods are biased toward increasing variation, they are necessary to accurately capture the phenomenon of iridescent hummingbird coloration.
There are multiple reasons why the hummingbird color gamut is so diverse. The size of the hummingbird color gamut, like the achieved color gamut of any clade, constitutes a combination of the history of selection on color function, the clade’s evolved capacities for color production, the age of the clade, and the number of species. Hummingbirds excel at all these criteria. The 336 species of extant hummingbirds have radiated rapidly over the last 22 million years19. Hummingbird plumage color diversity has evolved through a long history of persistent sexual and social selection on plumage coloration. Hummingbirds have polygynous breeding systems characterized by female only parental care, female mate choice, and often elaborate male courtship displays. Intersexual selection in hummingbirds has contributed to elaborate radiation in brilliant plumage coloration as well as vocalizations and non-vocal feather sounds14,16,20. Hummingbird plumage color evolution rates have even been shown to positively correlate with hummingbird speciation rates14. Furthermore, in some species, brilliant monomorphic plumage ornaments apparently function in aggressive, intra- and interspecific defense of floral resources21 and appear to be associated with socioecological features related to resource competition19. Our finding that crown and throat patches, which flash brilliantly when the head of the bird is oriented toward the observer, are more diverse in coloration than other plumage regions highlights the role of plumage coloration in direct inter-individual communication and social interactions.
The mechanistic properties of hummingbird barbule structural color further explain the exceptional diversity of hummingbird plumage coloration. Hummingbird barbule structural coloration is among the most complex plumage coloration mechanisms, comprised of stacks of hollow, air-filled melanosomes, surrounded by a thin superficial, solid keratin cortex as well as sometimes superficial, miniature melanin platelets which lie just beneath this cortex9,10,11,12,13. Complex nanostructures allow for independent tuning of multiple components, and, hence, greater achievable color diversity12,18,22. Barbule structural color permits the production of any peak-reflected wavelength by varying the thickness of melanosome arrays, which can produce a diversity of single-peak spectra-hues, such as the unusual diversity of greens, blues, and blue + greens seen in hummingbirds (Fig. 2b). Hummingbird melanosomes are among the most unusual in birds in being both disc-shaped and air-filled9,10,11,12,13,23. The air in the center of hummingbird melanosomes approaches the maximum possible biological difference in refractive index (air = 1.0, melanin = ~1.7), which results in the efficient production of brilliant colors with the fewest layers of melanosomes, such that resulting spectra are narrow and near saturation13,24. Such spectra can thereby create colors that extend further in color space (Fig. 2a–c).
Barbule structural color also allows for the production of plumage spectra with multiple saturated peaks, creating saturated color combinations that are not as commonly produced via other plumage coloration mechanisms. However, researchers have yet to identify exactly how hummingbird multipeak spectra are produced12,13, emphasizing the need for further analyses of the optics of hummingbird feathers. Many hummingbird melanosome arrays are non-ideal– i.e., the products of the thicknesses and refractive indices of the melanin and air cavity layers are not equal25. Non-ideal thin films can create more highly saturated, pure tone colors of the primary peak while also introducing additional, harmonic spectral peaks at shorter wavelengths25, which allows for complex reflectance spectra with multiple bright peaks within the avian visible spectrum. Also, melanosome arrays with a large average layer thickness (>~300 nm) can create colors with fundamental interference peaks in the infrared and multiple, harmonic peaks in the avian visible range (300–700 nm). The presence of minute, superficial melanin platelets below the cortex in hummingbird barbules is also correlated with secondary, lower wavelength reflectance peaks, but the precise optical mechanism remains to be established12. These different nanostructural elements all contribute to distinctive multipeak reflectance spectra that can stimulate non-adjacent color cone combinations, which Stoddard and Prum2 identified as particularly difficult to accomplish: UV/V-purple (uv/v + s + l wavelengths; Schistes geoffroyi cheek, Fig. 4g); true purple (s + l wavelengths; Atthis ellioti gorget, Fig. 4h); UV/V-green (uv/v + m; Schistes geoffroyi crown, Fig. 4a); and UV/V-red (uv/v + l; Heliangelus viola, Fig. 4b). With multipeak spectra the potential for creating new and different colors is greatly expanded, allowing for a more versatile evolution of novel colors.
Unexpectedly, the hummingbird plumage color gamut is larger in volume when modeled with the VS-type (34.2%) than with the UVS-type (29.6%) visual system. This apparently unique result contrasts notably with both Stoddard and Prum’s2 and our revised estimate of the color gamut of all birds combined– VS gamut = 40.5%; UVS gamut = 47.3%. Multiple previous analyses have shown that the UVS cone-type visual system does a more efficient job of discriminating the colors of natural objects because of the broader separation between the peak spectral sensitivities of the uv and s (blue) cone types2,26,27. Because the UVS-type visual system produces an even greater increase in color volume for a diverse plant color data set over the VS-type visual system, Stoddard and Prum2 rejected the hypothesis that the UVS-type visual system had specifically evolved to expand the diversity of avian color stimuli.
However, our observations that the hummingbird plumage gamut is substantially greater in volume with the VS-visual system than with the more efficient UVS-visual system strongly suggests another hypothesis: Hummingbird plumage may have specifically evolved to be more diverse within the hummingbird VS-type color visual system via selection for highly saturated plumage colors. Given diversity in hue, the way to achieve greater color gamut volume, i.e., greater plumage color diversity, is through highly chromatic color vectors that extend toward the limits of the color space. The two visual systems map variation in wavelength to different maximum potential chroma—i.e., wavelengths with color vectors that extend toward the edges, faces, and vertices of the tetrahedron6. Color vectors that extend towards the vertices, i.e., plumage that best corresponds to a singular cone type’s peak sensitivity, have the highest maximum potential chroma because vertices are the regions furthest away from the tetrahedron’s center. Thus, hummingbird plumages may have specifically evolved to have maximum chroma within their own VS-visual system via peaks that correspond most closely to the peak sensitivities of the VS- rather than the UVS-visual system. For example, when comparing the UVS and VS plumage color gamuts for hummingbirds, it is notable that hummingbird coloration extends much further into the UV/V regions of color space for the VS-visual system (Supplementary Fig. 2). While in the VS system these color points map toward the v vertex, in the UVS-visual system they map towards the uv-s edge and the uv-s-l face. Such color vectors that contribute to expanded color volume of the VS gamut could have evolved by sexual or social selection for highly saturated plumage colors that are near in hue to the specific sensitivity peaks of hummingbird receptor cone types. Such selection could note preferences within some hummingbird species for hues with maximally possible chroma, not merely for maximal chroma of a given hue.
Hummingbirds have tetrachromatic color vision with substantial sensitivity in the near ultraviolet28,29. Recently, Stoddard et al.30 used a series of elegant experiments with hummingbird feeders and LED lights to demonstrate for the first time that hummingbirds can distinguish non-spectral colors distributed throughout the tetrachromatic color space. However, the presence of this remarkably proficient four-color vision in hummingbirds poses an interesting evolutionary conundrum. Recent phylogenetic analyses have established that hummingbirds and swifts are phylogenetically embedded within the nocturnal caprimulgiforms31,32. The most parsimonious hypothesis is that the immediate ancestors of swifts and hummingbirds were extensively nocturnal for approximately 8 million years before they re-evolved diurnal ecology and behavior31. Given that an evolutionary history of nocturnality can lead to the degradation or loss of opsin genes33,34, it should be a high priority to establish what effect that ancestral nocturnality may have had on the molecular physiology and anatomy of the hummingbird color visual system.
Our attempt to document the color diversity of an avian family has revealed that current estimates of the total avian color gamut are likely inaccurately low. Similar studies sampling from other color-diverse families, such as sunbirds (Nectariniidae), parrots (Psittacidae), tanagers (Thraupidae), birds of paradise (Paradiseidae), manakins (Pipridae), and starlings (Sturnidae), most of which have already been studied for their plumage coloration35,36,37,38,39, would help us obtain a better estimate of the true avian color gamut.
Source: Ecology - nature.com
